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Margaret
Benoit Artists Statement
What we choose
to look at creates our own experience. I have responded to my environment
mainly in the vineyards of Western Australia where the ever-changing seasons
are constantly before me. It is a dramatic landscape filled with light
and colour where images are rarely blurred and where figures attract with
clarity.
The migrant families from Yugoslavia and Italy who settled in the Swan
Valley shaped many of the vineyards seen today and their descendants keep
alive the sense of history. My early paintings depicted in particular
the figures of women who wore colourful headscarves and along with their
husbands and brothers, pruned and shaped and gathered the harvest. Olive
trees were planted and watermelons and rockmelons filled the fields.
Vines with trunks thicker than trees still grow and new varieties are
always replacing spent vines. I admire the persistent effort required
to grow and maintain the grapevines. It is hard work and some years the
weather plays havoc and birds can do their damage. The triumph of nature
and labour is always finally revealed in the glass of wine which then
becomes our celebration.
I lived in my birthplace of Sydney for thirty years before living in Europe
and then returning to Australia expecting to head for Sydney. Our journey
home took us to Perth and chance circumstances kept us there. We settled
in the Swan Valley and so began my vineyard paintings.
I do not use a camera because it restricts my freedom; it stops the eye
deciding where to go. It withholds the power to engage and actually distorts
the truth.
What is in or out of fashion means nothing to me. What matters to me is
the paint and the emotion behind its application.
I love the refined works of Dorothy Napangardi depicting Womens
Dreaming. I like the simple compositions of Ben Nicholson and also the
strong paintings of Lucien Freud. Still remaining as luminous greats are
Velasquez, Vermeer, Rembrandt and Goya.
My work makes me live in my own way and expresses for me the optimism
in wanting to communicate the world I know.
Margaret
Benoit
14 September 2004
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